Temptation

The past couple of months have been chaotic, to say the least. Chaotic good? Maybe, but we won’t know until the next few weeks play out. We sold our second car, which required a lot of trips and phone calls to many different offices. We got our first vaccine shots, but my paperwork is lost in the county health system. We seem to have finally sorted out the aftershocks of refinancing our house last fall. We have not been told that we definitely don’t have a puppy, but we have not received any firm confirmation about the puppy we have been told we might have. I finally did some medical testing for my doctor, part of which got lost by FedEx. Every single meeting and appointment got rescheduled at least once for weeks on end. You get the idea.

Today the sun came out, it warmed up, and it might be spring. (It might not. Like I said: chaotic.) I had a telehealth appointment with my doctor, which was both bad (enduring health problem endures) and good (we are not out of treatment options and my doctor is a stubborn mule in the way you want in a doctor treating your chronic health condition). We received a package from our friends in Germany that took 3 1/2 months to arrive, but we didn’t know it was coming so were able to be wholly and pleasantly surprised and delighted when it arrived. I found myself feeling weirdly optimistic. Like, in a few weeks, things could be very different. We could both of be fully vaccinated. We could have a puppy. I could be through another round of treatment for what ails me. Of course, none of that could come to pass; Mercury retrograde during February in a pandemic really lets you know that nothing can be relied on beyond right this very minute.

When I am in a good mood, my mental radio gets turned up to 11. All day this tune has been blasting through my brain. If you were to try to characterize my wide-ranging taste in music under one sweeping label, it would be peppy morose. It has to all be there: lyrics, guitars, beat. Usually the weirder the better. (Yes New Order, no Depeche Mode. Yes REM, no U2. Yes Cure, no Smiths. Yes Modest Mouse, no National. Yes Pink Floyd, no other 70s bands. Yes punk rock.) I recently tried to read Peter Hook’s book about New Order. I couldn’t, but from skimming 700 pages, I learned that they all did an excessive amount of coke and Peter and Barney couldn’t stand each other. You can see that in their live performances, but they still made all this amazing music together. “Temptation,” which wasn’t originally on an album but has so many versions and releases you could mail order vinyl for your whole entire life and not collect them all, is possibly my favorite New Order song. As a bridge out of Joy Division and from the pain of losing Ian, it’s all there. I’m devastated and alone, I’m upbeat. I’m obsessed with you, I don’t know what color your eyes are. I miss you, I don’t need you. It’s the first time, it’s the last time.

As we emerge from the hostage situation that was 2020 and continue to grieve our innumerable losses, let’s remember together how to live.

5 More Minutes

This morning I woke up from a dream involving Royal Crescent Mob, a bunch of old photos that hadn’t stayed in the fixer long enough and were blotchily faded, and a haircut I’ve never had (chin length with bangs).

The haircut was unfortunate and the photos were an entirely typical result of our slapdash approach to the darkroom, but Royal Crescent Mob sent me down a rabbit hole to my 16-year-old self. “An American four-piece punk funk/funk rock band from Columbus, Ohio,” Royal Crescent Mob was a band I adored 30 years ago. I lived in Indiana and was a RHCP superfan (yes, I was Jason Mendoza and I am absolutely going to The Bad Place); there was no chance I was not going to be into RCM. I had a t-shirt that I wore constantly and a signed promo photo given to me somewhat as a joke that I still treasured. (Sidebar: At least once a month now I regret getting rid of my collection of high school t-shirts. Shocking the neighbors with the Mother’s Milk album cover is very much my 2020 mood.)

What else did I learn from Wikipedia? That one of the members of R.C. Mob was a touring manager for the Goo Goo Dolls, possibly at the same time that my oldest friend was their merch guy. That was last fall when my back had enough functionality for one event and that event was a trip to North Carolina for my brother’s wedding, not an overnight trip to Richmond to hang out for a night selling stickers for a 90s alternapop band, as much as I absolutely would have loved that.

Thank you, little brother, for the holiday gift card that you probably thought I’d spend on some antiracist literature or a biography of an obscure feminist artist. I bought a CD of ridiculous songs from my youth!

Caution

Yesterday I learned that a new Killers album came out 41 whole entire days ago and nobody on the entire internet told me. Sometimes I don’t even know.

I suppose you could call me a Killers superfan. Not in a creepy stalker way. I don’t know all the band members’ names, and I probably wouldn’t even remember Brandon’s if his last name weren’t Flowers and he didn’t have side projects. I have a terrible brain for names and dates–of actors, band members, b-sides–so I couldn’t tell you a single thing about them as people, but I haven’t heard anything by the Killers that I don’t love.

I’ve found over the years that a lot of people get resentful when a band doesn’t sound the same on later albums. People get hooked on what a debut sounds and feels like, and I get it. I love debut albums: so many years of writing, refining, and feeling get concentrated into those first songs. Debut albums are gifts from the heart, and many of my all-time favorite albums are a band’s debut, a subject definitely worthy of more posts.

No matter how much I love a band’s sound, I eventually get tired of hearing more of the same. Therefore I love it when I find artists that can put out great sounds that defy categorization, where each album has its own vibe that isn’t bound to previous sounds. The Killers is one of those bands and I can’t get enough of how each album has its own internal coherence that doesn’t GAF about what came before or what people expect from them. (Sidebar: Jets to Brazil and Amy Ray both have this talent and I also adore them for it.) This new album is just the uplift I needed 6 months into a pandemic; sorry, not sorry if you can’t get past the fact that it’s not one hundred percent the new new wave electronica of their early days.

Besides my addiction to guitars and growly tenors, the thing I love most about the Killers is the strong impression that their experiences growing up in Nevada were very much like mine growing up in Indiana. Not since Live’s songs about York, PA, have I felt so much like a musician knows so well what it’s like to grow up among trailers, fields, meth heads, diners and roads to nowhere. These are the songs for those of us who did everything we could to leave where we were, and I’m always here for it.

If I don’t get out of this town, I just might be the one who finally burns it down.

1990 was thirty years ago

After a high school friend remarked upon the thirty year anniversary of Ritual de lo habitual last week, I realized that 2020 is the thirty year anniversary of, hands down, the best year of my teenage life. Not that any stretch of being a teenager is wholly trouble-free, but even then I remember feeling like being fifteen in 1990 was pretty great. Was I primed to enjoy it so much by my childhood obsession with Beverly Cleary’s Fifteen, an early and perfectly perfect incarnation of the now-ubiquitous teen romance? Maybe. If so, I thank the book for preparing me to not miss a thing.

Thirty years ago, I had goofy friends, and the slightly older ones among them could now drive us places: diners, movies, each other’s houses. We had jobs, in places where we all wanted to be. The local pools, the pizza place with an arcade upstairs, the skate shop, the thrift store; we worked, and then we went to where our friends worked and hung out. We stayed after school for hours together, in the darkroom, rehearsing the school play. On the weekends, we gathered and performed for each other, in bands, at open mics. We spent days and weeks doing things like building skate ramps or setting up rehearsal spaces in garages, and then we spent days and weeks watching each other use them.

That year, thirty years ago, we all got crushes on each other and failed to realize that other people had crushes on us. We drove around en masse, in the beds of pickup trucks, crammed into hatchbacks or the massive back seats of our parents’ old cars. We wore amethysts on chains around our necks, drew on our Chucks, wore holes in our Vans, and kept the local record stores in business. That year, I fell in love for the first time, went to my first major concert, had my first job with responsibilities. I found my taste in music and in people; the people I laughed with then are the people I laugh with now, new friends who feel like old friends and my friends from back then who still crack me up over text. We lay around on each other’s couches, floors, beds, and porches at all hours of the day and night. Listening to Ritual, yes, but that year also gave us Flood, Social Distortion, Goo, Bossanova, A Brief History of the Twentieth Century, I Do Not Want What I Haven’t Got, the Twin Peaks soundtrack, the only song I know of written for a girl with my name, and so much more. At that time, I still had the few close friends of my youth around me, kids who liked me when I was plump and awkward, while I was discovering a new group of punks, theater geeks, skaters, and weirdos to love.

That summer I was fifteen, we spent three weeks with my grandparents in Ontario. The boys who lived across the street were instructed by their mother to entertain me, as a favor to my grandmother. I was right in the middle of their ages, and the older one could drive. They let me swim in their pool, watch Spinal Tap and listen to Queen with them in their basement, and tag along when they went downtown to the annual waterfront carnival and fireworks. I manufactured a crush on the older brother’s best friend, Marco, a kid who looked like he should be in a boy band and was so authentically Italian his foyer contained four kinds of marble and his mother tried to feed us something every time we stopped by to pick him up. In the afternoons, I read on the porch and taped songs off Detroit’s alternative rock station, something we didn’t have on the radio back home. At night, I pulled my grandparents’ kitchen phone through the accordion door and sat on the floor by the dining room table to talk to my friend Jay. I told him all of the nothing I was doing in Ontario and he told me all of the nothing that was happening in Indiana and made me miss it less.

When I watch the lifeguards at our pool, flirting and joking and being stunningly happy in the way that only teenagers at their summer jobs can be, I can’t believe how much time has passed. The year I was fifteen, I was more entirely myself than I can remember feeling during any other single year of my life. So many other years and time periods blur together, but I can remember 1990 so vividly, could tell you what I was doing and whom I was doing it with almost month by month. So many places and faces, so much of the time spent laughing until our sides split and tears ran down our cheeks. We were young enough to still enjoy being ridiculous, old enough to know there wouldn’t be very many more years of jumping off the roofs of sheds into backyard pools or sneaking up onto the roofs of our schools without turning into the sorts of townies we heard cautionary tales about.

Thirty years ago, most of the pain and grief and heartbreak of our teenage lives was still ahead of us. We hadn’t yet broken each other’s hearts, or lost friends to suicides and addictions, hadn’t had to make choices about abortions and marriages. We hadn’t destroyed or lost friendships, made relationship-ending mistakes. We weren’t yet judging each other for our choices to leave or stay, to change or remain the same. All that was still to come, but before it did, we had an amazing year together.

Surprise! Sunchokes

Today we went out to the yard to get started on the annual effort of beating back the weeds and giving the garden beds edges again. Over the past couple of years, volunteer sunflowers have blown into our back garden from the yard of the neighbor down the alley. At first there was just one, then a few more, then last year they kind of took over. Today I decided we would weed most of them out before they got big and leave just a little patch for our kid to enjoy. (We all enjoy them, they’re just in the part of the garden where they get to plant what they like, mostly consisting of plants I don’t like that I’ve weeded out of other areas and my child has rescued from going into yard waste.)

The first thing we do is walk around and decide on how many plants will be allowed to live. Then we start pulling out the extraneous sprouts. Or, I should say, we try to pull them out. They are tough and require some tugging, when I finally do get one to come out, it has a little rutabaga attached to the bottom of it. Which is confusing. We get a trowel and start digging around more, and all of them have these tubers on the bottom of them.

Which is when I realize that they are sunchokes. Jerusalem artichokes, native sunflower with edible tuberous roots renowned for their habit of taking over any space you give them. Oops. I guess I should have put more effort into identifying the variety of sunflower that first year when I noticed that it got ten feet tall and didn’t resemble any of the other native sunflowers we had around the yard. Or even the year after that, when I noticed that our neighbor down the alley had dug out the patch of them that used to line her driveway for no obvious reason. (I guess we now know the reason.)

Good news: we have free food growing in our back garden! Bad news: we have (yet another) plant taking over our back garden! I think this now makes five natives I’ve introduced to the garden that have tried to take it over in some way. In the front, we currently have an aster that is OOC and due to be dug out; a couple of years ago it was something I forget the name of that formed a carpet and tried to crowd everything else out. In another part of the yard, it’s a different kind of sunflower that is smothering my favorite rose. Let’s not forget the milkweed, which, while much wanted and loved, still requires constant effort to keep it limited to the places we want it to grow.

The only thing we know how to make from sunchokes is latkes. Sunchokes are a perfect substitute for potatoes if you cannot eat white potatoes and still want to celebrate Hanukkah with friends. Time to get down the electric griddle, rewatch my child’s favorite holiday song video a million times, and Skype in our friend who is the latke expert, who usually does the actual frying for us, for some on-the-fly coaching!

Kombucha

The past few weeks have been day after day of unwelcome events large and small, ranging from a police shooting three blocks from my house to a detached squirrel tail in the backyard.

Today, though, the sun was out and it’s finally become cool enough for long pants. Perfect radio in the car weather and for once the radio did not disappoint. I heard this song and instantly loved it. I stand by my theory that the world of music fans can be divided into alt-rock-banjo and alt-rock-keyboard. It’s no secret where I land in this divide.

When I texted my oldest friend to ask if he’d heard it yet, he listened and then said, “I guess I liked it better when it was called Beck.” He’s a grouch. This is a bop. Way better than any breakup song ever written for me, that’s for sure.

Further North

This year took ten years to tell me that I’m alone again.

Almost exactly a year ago, my ribs began subluxating with a frequency that kept me from doing just about anything I wanted or needed to. Then my ankles and knees started going out from under me. I stopped being able to walk, do yoga, swim, write, type, sit, stand, lie down for any amount of time without pain. My migraines came back, my digestion stopped working right.

It began to seem that everything I did only led me further down a path toward immobility.

Everything here’s about to break / I’m one inch from more than I can take.

Coming to terms with chronic illness is exhausting and maddening. Quite literally maddening; not infrequently, I have feared for my sanity. During a year when I have needed my strength and capacity more than any I can remember in adulthood, I have had diminishing control and function.

Who am I if everything I was and did is stripped away by this illness? What am I if not this illness?

It’s beautiful and sad but it’s all that I have.

Radical social projects call us to move beyond that which we can imagine, imagination being limited in some fundamental way by experience and prior narrative. Our fantasies reflect the bounds of our reality and what we desperately require is a future truly unimaginable. What we need is to push ourselves to the bounds of what has been possible and step past into the unseen.

There is no path to where we are going, no backward return. Just the outer bounds of what we have known, and then something more.

Further north.

I Am Woman

As a child, “I Am Woman” was my anthem. My mother loved Helen Reddy and as soon as I was old enough to be allowed to work the turntable myself I played her album constantly.

Over the 42 years I’ve been hearing and singing this song, never have I felt it to be more celebratory than defiant until today. Tarana Burke* is on the cover of Time along with other women who have been speaking up for years about sexual violence. Across industries, classes, races, and ages, sexual violence is a scourge on our lives.

This year, we heard them. This year, we joined them. This year we said, “Yes, you’re next.”

We’re not novices any longer.

*Tarana Burke’s work is on the cover of Time, as she herself should have been.